Sunday, 9 March 2014

feminism for beginners

Feminism is a hot topic at the moment, that fact is indisputable. In the light of International Women's Day yesterday the word has been fresh on the lips of the media as well as ordinary people around the world. What is a seemingly disputable debate being tossed around right now is what exactly feminism means. Lately I've been so frustrated by comments by acquaintances, friends, passer-bys, writers, and celebrities alike who simply do not understand what it is to believe in feminism, or to be a feminist. The thing is, it's okay to not understand! It's totally, totally fine - the important thing is that we all must learn what it means to exercise a healthy view on women and their positions within our society. And so, I've complied this article (mostly for myself as an outlet for my ever-growing grievances against the sheer ignorance of some people) to help hopefully just one person change their perspective and overcome any unawareness they once had.

Let's being by asking ourselves: what is a feminist?
No, it's not a insane bra-burning lesbian with armpit hair who has a burning grudge against the male species. This is not the 60s, this is the 21st century, and so it's time this stereotype was abolished and we followed the pure, most simple definition. I think the most effective way to explain the definition of a feminist is through a lil bit of Queen B...


Notice the snippet from Chimamanda Ngozi Adiche:

We teach girls to shrink themselves
To make themselves smaller
We say to girls
"You can have ambition
But not too much
You should aim to be successful
But not too successful
Otherwise you will threaten the man"
Because I am female
I am expected to aspire to marriage
I am expected to make my life choices
Always keeping in mind that
Marriage is the most important
Now marriage can be a source of
Joy and love and mutual support
But why do we teach girls to aspire to marriage
And we don't teach boys the same?
We raise girls to each other as competitors
Not for jobs or for accomplishments
Which I think can be a good thing
But for the attention of men
We teach girls that they cannot be sexual beings
In the way that boys are

Feminist: the person who believes in the social, political, and economic equality of the sexes


Though I don't condone the use of calling your fellow females bitches (only because I believe it gives an excuse for people, both male and female, to use it negatively against you) I have so much respect for Beyoncé for empowering women and including such a strong feminist message in her song through the voice of this acclaimed Nigerian writer. Below is her incredibly influential speech, and props to Bey for indirectly encouraging young girls and boys alike to look up the speech for themselves and be inspired by her forceful words.


So: why are we so reluctant to label ourselves feminists?
Cleverly, the labeling of feminism has been sarcastically referred to as "the F-word" or "the F-bomb" based on the taboo nature of calling oneself a word which relates to the image of that insane woman with crazy eyes, denouncing the existence of all men. (A really great blog, focused on feminism in everyday life and pop culture, is thefbomb.org which has articles on just about everything to do with feminism.) A lot of this has come from public figures, whether it be pop stars or politicians, who have been reluctant to call themselves a feminist in fear of the negative connotations. I recently felt to smack my head against the wall when reading an interview with girl band Little Mix from an Australian newspaper which quoted:
"They have been dubbed the next Spice Girls and have a string of girl power anthems to their name, but don't go labelling Little Mix as feminists.
'I wouldn't say we're feminists: we don't hate our men,' band member Perrie Edwards told Confidential." [source].

my reaction:

What astounds me is that a group like Little Mix, who probably have songs bursting with girl power and sass, cannot even pretend to know what feminism entails? Like, honestly, that makes me want to die. How can you be in the public eye, with millions of impressionable teenagers looking up to you, but yet still make such uneducated comments? Astounding. Even my beloved Taylor Swift has previously had trouble admitting her feminism in interviews and this annoys me. Do we not proudly look up to mother figures and other strong females in our lives? Therefore, should we not be ashamed to proudly call ourselves a feminist. After all, we are just standing for the equality of both sexes. True feminists do not want one up on males, we don't want to be better, or to beat them: feminists just want to be viewed equally on economic, political, and social levels. We want to take a stand against slut-shaming, and the pay gap,and educational rights, and rape culture, and any other issues that affect how unequal we appear to the rest of the world.

And, no, these issues are not a myth: they're real and they're affecting us today, even in countries like the UK and America who are meant to be pioneers in equality. Recently, Lily Allen denounced feminism, saying she believes in equality because it exists, instead of celebrating feminism but, hey Lily, did you know, between 2012 and 2013, the pay gap between men and women in Britain actually increased, going from 9.5% to 10%? Equality doesn't exist. This is not even to mention the disgraceful levels of inequality in the rest of the world, where some girls aren't even allowed to take part in education because of their gender. Because, apparently, we are intellectually inferior and we belong in the home.

You may have heard the phrases "get back into the kitchen" or "nice story baby, now go make me a sandwich" being thrown around by chauvinistic males from time to time. And do you know why they say these things? Because they are intimidated by women. These boys probably experience serious mommy issues or are just scared of never getting a girlfriend, or whatever. But you're never going to get one with an outlook on life that's so demeaning and idiotic. Why would a woman want to date someone who sees their rights as a joke? Because this interview below, where actor Joseph Gordon-Levitt proudly announces himself as a feminist, gives me serious heart eyes:


Boys: don't be ashamed to call yourself a feminist - the other boys may, ignorantly, call you gay but who cares? It's very sexy and you're going to get all the girls (ps gay isn't actually an insult) x

For me, and probably a lot of people, feminism is also about support. I'm a firm believer in the powers of kindness, and so these may be those morals talking but I don't think feminism should be about the shaming of other women - or men for that matter. Just be nice! If somebody enjoys sex, whether that be a boy or a girl, let them. How does it bother you? If it's not destructive of relationships then it does not affect you in any way. We need to stop slut-shaming, and instead be shameful of ourselves for ever using words like "slut" or "hoe" (I never understand people who use those terms affectionately either. "hey slut!" - um? Thanks but no thanks?). Lorde once slammed Selena Gomez for her song 'Come And Get It' by criticising it's anti-feminist message. Personally I think if Miss Gomez gots it, Miss Gomez should flaunt it if that's what makes her comfortable. Her response to these comments were perfect: "That's not feminism. Lorde is not supporting other women." The world is a hard enough place to live in, why not make it easier by being nice to one another.

And so that was just a little bit about feminism for those who don't completely understand it yet. I encourage everyone who reads this to build curiosity on the subject by reading books like these, or just doing a bit of quick research online so you can impress your friends with your political and intellectual prowess.

Thursday, 6 March 2014

GIG REVIEW: George Ezra - Dingwalls, 4th March // #PETANMASSIV

for fans of: Jake Bugg, Matt Corby, Lianne La Havas, Tom Odell, Keaton Henson




When my friend Olivia and I arrived at Camden's Dingwalls on Tuesday night, we were a tad freaked out to find that we were probably the youngest attendees of the sold-out George Ezra gig. It was weird. I've never been to a concert for a young, talented, (sounds really girly and embarrassing and immature to say this but I'm only stating the facts! Let's not beat around the bush! I'll shut up now!) attractive guy where the crowd wasn't littered with squealing pre-teens (which was nice, don't get me wrong. Oh Lord, it was very nice not to have people heckling like "LUV YUUU GEORGIE, YER WELL FIT" every 5 frickin' minutes. I sound like a snob so I'll shut up again). Despite supporting BRIT critics choice crooner Tom Odell, massive Radio 1 airplay, and being featured among the next big things for the BBC's prestigious Sound of 2014 poll as well as MTV's Brand New list, he played the Dingwalls show to a packed crowd of... old people. I'm joking guys you were all only, like, forty - your best years are ahead of you! Ha!Ha!Ha!




With his tour being completely sold out months in advance, and tickets to these elusive live dates have been selling for a whopping £80 on Seatwave, Ezra proves the only way for him is up. He commanded the crowd's attention with set opener 'Blame It On Me', blossoming with lyrics fueled with convivial sadness - sharing likeness to his other tunes in its own soulfully upbeat way. Yet he also continued to keep the audience in the palm of his hand not only with turning points like 'Leaving It Up To You', but also with his between song banter; raw and effortless wit funny enough for a career in comedy - George Fezra may I suggest? That's patented, by the way... #petaned (I tried).




It's a true rarity to hear such a tremendous voice, as if rooted from the Deep South of America itself. He has surprised critics and fans alike with his rich vocals that are clearly way beyond his years (as cliche as that sounds), much like his taste in music - Ezra cites folk legends like Woody Guthrie as major influences. Despite this maturity, there is still a youthful optimism to his music such as his latest single - probably drawing similarities to 'Lightning Bolt' - the uplifting 'Cassy O' - a clever and charming tale of time escaping. And though the EP version of 'Benjamin Twine' has its similarities with that track, his live take on his song about falling in love with your best friend's sister is rife with passion and enchantment.

The live version of his previous single 'Budapest' was the most spellbinding of his solo acoustic set - it even had the more mature audience singing along. Ezra proved the stage to be his true stomping ground with twiddling guitar hooks and authentic stage presence. However his troubadour-esque voice was most outstanding on 'Did You Hear The Rain?', which was opened with a chilling acapella intro. Just like the studio recording it's deliciously slick, enticing, and as full of soul as the balladeer himself.


this photo defines the phrase "you tried" #clapped

SEE GEORGE EZRA ON HIS //UK JUNE TOUR//
DOWNLOAD THE //DID YOU HEAR THE RAIN?// EP
PRE-ORDER THE NEW //CASSY O'// EP

Sunday, 16 February 2014

PUBLIC SERVICE ANNOUNCEMENT: Taylor Swift Saves Lives! // review of the Red Tour - The O2, 10th February

for fans of: Ed Sheeran, Katy Perry, Nina Nesbitt, Kacey Musgraves, Ellie Goulding

DISCLAIMER: Taylor Swift is probably my most favourite person in the entire universe so there's a 1000% chance this review is 100% bias



(photo creds: senatus.com)

To be a Taylor Swift fan since the tender age of twelve and still not having ever attended one date in her three sold-out world tours is, spiritually, something very painful. Word travels that her shows are full of intimacy against majesty, and sparkling sets are the backdrop to tales of the romantic day-to-day - and it killed me that I never had the chance to embark onto this ordeal. In November, however, it was announced that the Red Tour phenomenon - after a whopping 73 shows in America, Canada, Australia, and New Zealand - would be coming to London's O2 Arena for five (!!!!!) soon-to-be-sold-out shows. It was like the sun had come out after a month of rain! God bless! Halle-freakin-lujah!





I could've exited The O2 screaming at the top of my lungs "I AM A CHANGED WOMAN!" for, I felt that, the Red Tour was a truly liberating experience - an epiphany if you must.You may enter feeling as if you're about to have a jolly good time at a cute lil pop concert, but by the time the lights go down and the infamously hysterical drums of album opener 'State of Grace' begin, everything really has changed. The Red Tour marks her transformation from the twee country girl who plucked her guitar nicely and sang songs about broken hearts to, as cited by Rolling Stone in 2013, "a true arena-rock goddess at an amazing peak". Her silhouette is spotlighted against an, obviously, red curtain as the first verse starts but soon drops as she belts "I neeeeeeverrrrrr sawwww youuuuuu commmmmiiiiiiiiiiinnnnggggggg" to a 20,000 strong audience. The drumming emphasis continues swiftly into the next song of the set 'Holy Ground' in which she prances and spins around the stage before an energetic drum solo with a series of neon drum kits.

Her rock star status is solidified as the crowd went crazy for Swift and her ratchet rhinestone guitar on the song that ignited this era - 'Red' - a sentimental tale of lost love and never letting go intertwined in an electric guitar driven melody (watch her live acoustic performance at the CMA Awards 2013). It's songs like this which define her 2012 album which, in it's first week, sold two albums every second in the US and lead to 1.5 million worldwide sales in that week alone. And good on her! She's been working her socks off since she was a wee one, but received her big break at age 14 when she became Sony's youngest ever on-staff songwriter. This piece of history is only evident of the rawness of her talent, which can only improve to this day with the unruly heartache of 'All Too Well' - possibly the highlight of the night. Fresh off her acclaimed GRAMMY performance, she performed the vulnerable piano ballad with the same roaring fire seen Stateside a couple of weeks ago. The painful retelling of a failed romance (rumoured to be about Jake Gyllenhaal, but who gives a fuck?) was enough to allow, though slightly embarrassing, the tears to slyly creep out from my eyes.


(photo creds: nydailynews.com)


Shamefully, I only physically cried on one other occasion - the title track from the stripped-back beauty of the game changing, GRAMMY winning 2010 album 'Fearless'. She played acoustically on the gentle twang of her 12 string guitar and dedicated it to all the "hopeless romantics" in the crowd, which must've been everyone, bar the parents in the crowd, for why else would we all be there? The happy-go-lucky romance continued in the sassy-rock optimism of 'Sparks Fly', in which she was elevated over the crowd like the actual angel she is, and fan favourite 'Love Story' - the Romeo and Juliet inspired, princess country-pop crossover classic was simply sublime (and the dancer guy who "played" the prince was so spicey).

(photo creds: weheartit.com)

Slices of pop perfection appeared in the reinvention of the 2013 Brit Award performance of the internationally chart-topping single 'I Knew You Were Trouble' - which, BY THE WAY, is not about Harry Styles thank you very much journalists worldwide. The unusual and very unSwifty "dubstep"-esque tremours bounced off the walls of the arena as the crowd wailed along to the famous "ohHHHH, OHHHHhhhhhh" of the chorus. Though I adore her to the moon and back, the one thing Taylor Swift cannot do is dance. Even as a superfan I found myself cringing during whatever on Earth she was doing during sugary pop party anthem '22' - when I was, only a few moments beforehand, squealing with frenzy at a video montage of the highlights from her 22 years of life; from baby days to award winning instances. 

In true Red Tour tradition, she brought out a much-anticipated special guest to politely sing one of their songs. A few weeks ago my sister and I joked like "LOLLLLLLL :pppppp wot if it's Emeli SandĂ©!!!1!!!! MEGA LOLZ!!!!!!!" (there's something I can't quite explain about that woman if you haven't been part of my Twitter gang for the past year or so - I hate being nasty but I really, really don't like her...) Of course, probably some kind of karma or something, Taylor would bring out the one person in the world who I wanted to see the least - bitch really knows how to kill my vibe! Anyway, the duo performed 'Next To Me' if you care lol.


(photo creds: jencita.tumblr.com)

Bar those very small blemishes, the Red Tour constantly proved itself to be a spectacle. Whether it be the roaring twenties production - or rather Britney Spears-esque - 'The Lucky One' or the ballerina ballad 'Treacherous', she can put on a show to suit everyone. Her vocals are consistently on-point and her lyrics are steadily relatable - she simultaneously tackles bullies and the unkind while touching back upon her country roots in 'Mean', where she prepares the audience for it in one of her famous pep talks about the tribulations of life and love. Yet she can also be unpredictable as she rearranges her desperate and slightly angtsy pop classic 'You Belong With Me' (one of the tracks that established her as the spokesperson of the teen girl generation) to something very polished and slick. Then the show closed with the charismatic platinum selling single 'We Are Never Ever Getting Back Together' where the entire audience exploded and sassed every boy who's ever let them down, and as the adorable heart-shaped confetti fell, you realise you never want this big sister figure to ever leave you.

Her fans prove to love her almost as much as she loves them, donned head-to-toe in outfits and light up signs that are very Taylor and shine almost as brightly as the star herself, she thanks them profusely for their undying support and genuinely seems floored by their loyalty. And this is where her success roots - from simply being herself: an authentic girl falling in and out of love yet also a bonafied Greek goddess who is an utterly glistening starlet. She ain't cool, but she ain't trying to be either. This is why me, and so many millions of others, kiss the ground in which she walks upon. Luv u 4eva TayTay x